326 Years of Hip
John McWhinnie @ Glenn Horowitz Book Seller and Art Gallery
ASU Libraries: Special Collections - INFOsource Entries
Florence Ormezzo
Mary and Claude art Video by Laki
http://realitystudio.org/bibliographic-bunker/bulletin-from-nothing/
MOMA in NYC: 2010 Experimental Women in Flux
Lost Art Salon
Les ID de Claude Vercey
Lost Recordings of Beach, Pélieu, Weissner
Series: Postmodern Studies 46 Shift Linguals traces a history of the cut-up method, the experimental writing practice discovered by Brion Gysin and made famous by Beat author William S. Burroughs. From the groundbreaking works of Dada and Surrealism that paved the way for Burroughs’ breakthrough, through the countercultural explosion of the 1960s, Shift Linguals explores the evolution of the cut-ups within the theoretical frameworks of postmodernism and the avant-garde to arrive at the present and the digital age. Some 50 years on from the first ‘discovery’ of the cut-ups in 1959, it is only now that we are truly able to observe the method’s impact, not only on literature, but on music and culture in a broader sense. The result of over nine years of research, this study represents the first sustained and detailed analysis of the cut-ups as a narrative form. With explorations of the works of Burroughs, Gysin, Kathy Acker, and John Giorno, it also contains the first critical writing on the works of Claude Pélieu and Carl Weissner in English, as well as the first in-depth discussion of the writing of Stewart Home to date. Contents Acknowledgements Introduction. Before Burroughs: The Prehistory of the Cut-Ups The Origin and Theory of the Cut-Ups Early Successors: Pélieu, Giorno, Weissner Inter-Section. The Mutations of Burroughs: Revising the Cut-Up Technique Kathy Acker: Plagiarism and Adaptation – From Cut-Up to Cut-and-Paste Stewart Home: Pulp, Parody, Repetition and the Cut-Up Renaissance Further Mutations: The Cut-Ups in the New Millennium Works Cited Index Edward S. Robinson has published articles on William Burroughs, Stewart Home and Kathy Acker, and provided the introduction to Jürgen Ploog’s cut-up novella, Flesh Film. |
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Gasolin Connection